“Overview” The chief features to be observed in house furnishing are color, form, and proportion. All stiffness of design in furniture should be avoided. Do not attempt to match articles, but rather carry out the same idea as to color and form in the whole. It is not en regle
Much of the beauty of furniture is secured by the tasteful combination of colors. There usually should only be two colors in addition to the white of the ceiling. Blue unites well with buff or corn color, or a yellow brown. Green combines well with drab, or white, or yellow.
The cornices to your windows can be simply strips of wood covered with paper to match the bordering of your room, and the lambrequins, made of chintz like the lounge, could be trimmed with fringe of gimp of the same color. The patterns of these can be varied according to
In the old days of wainscots, when every room of any pretensions to elegance was banded with light or dark wood to height of three or four feet from the base, it was far easier to effectively ornament the portion of wall left uncovered, than it is when an unbroken
WHEN Mr. Ruskin chronicled the “Ethics of Dust,” he should have devoted a large portion of his space to the modern floor. The popular theory of a floor, reduced to practice, amounts to this: it is the principal dust-trap of the room. Being of soft and porous wood, its cracks